Review: The Splitting of the Mermaid

Posted: July 31st, 2014 | Author: | Filed under: Blog | Tags: , , , , , | No Comments »

Here we are at the Edinburgh Fringe and the first show the Devil and I went to see was a preview of Lucy Ayrton’s The Splitting of the Mermaid.

TIM : This was a performance so much my cup of tea that it could have been served in a mug with my name on it. Ayrton updates Andersen’s The Little Mermaid to industrial Hull and takes us from a startlingly totalitarian undersea world to a mechanic’s shop by the promenade. The central character is May, a mermaid longing to bear and raise her own child. She sells her voice to a Sea Witch in exchange for her chance at happiness. But (just like the original) there are prices, conditions and looming tragedy.

Ayrton’s background is as a performance poet and the ease and confidence with which she works her wordplay is amazing. Her rhymes are fresh and vital. As someone approaching this from a performance storyteller’s perspective, I was deeply impressed by her craft. I was also delighted by her staging: simple tricks of light to denote being above or below water or the rising of the sun, and the constant bubbling, musical soundtrack from Superbard.

THE DEVIL: Her Sea Witch had a lurid purple spotlight to denote her undersea hovel. Why don’t I have a special effect in our show?

TIM: Because you are literally a talking snake. You don’t need a special effect.

THE DEVIL: And because you’re cheap.

TIM: Was that your favourite moment, the scene where May makes a deal with the Sea Witch?

THE DEVIL: Hmm. I really liked the bit where they went to Whitby for fish and chips. It felt so laughably mortal. But now I’m hungry. Can we get on with it?

TIM: Of course. There were a few moments where Ayrton’s staging was off, characters switching from right to left as they spoke to one another, but as this was her first preview show in the venue I suspect she’ll have that nailed by the main run. The narrative was gorgeous, and while this is going to be rightly hailed as a feminist piece I was particularly moved by Ayrton’s gentle take on masculine sexuality, devotion and friendship.

THE DEVIL: Actually, I’ve changed my mind about my favourite bit. Andersen’s original has a horrible piece of tagged-on moralising at the end where the Little Mermaid can regain her shape if she does good deeds for 300 years. Or some such vomit-inducing twaddle. My favourite bit was that Lucy got rid of that entirely and left us with some far more artistically credible mer-human drama.

TIM: Good point! Overall, I’d say if spoken word narrative is remotely your thing then this is one to catch at the Fringe in 2014.

Tim Ralphs is a storyteller and his show of urban devilry Rebranding Beelzebub is on every night from 2 August 2014 to 24 August 2014 at 9:50pm in The Banshee Labyrinth. A PBH free fringe performance – you only have to pay what you think the Devil is due.


The Devil rides North

Posted: July 29th, 2014 | Author: | Filed under: Blog | No Comments »

I am taking my show Rebranding Beelzebub to Edinburgh. It features recipes for coleslaw and the Lord’s Prayer backwards.

Come and see it!

You can also download the Rebranding Beelzebub Press Release or the Flyer if you’re interested.